
Última actualización: 06/09/2010
An important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed under Louis-Philippe and exhibited in the Louvre from 1838 through 1848. Alisa Luxenberg undertakes a new examination of the Parisian collection in relation to its lesser-known Spanish homologue, the Museo Nacional in Madrid, a collection of mostly old master Spanish paintings and sculptures that was formed at the very same time. Revealing the political agendas behind each museum, and the different manners in which their goals were pursued, Luxenberg analyzes the critical and visual reception of the collections as well as their intersection with contemporary debates about aesthetics and patrimony, the role of the art museum, and national and international politics.
Plastic objects are included more than ever in museums and galleries collections these days, but these items can start to deteriorate when they a just [...]
ver másThe Manual of Housekeeping is essential reading for all those involved in the care of historic houses and their collections. Building on the success of [...]
ver másDiscussion of the issues surrounding the destruction of cultural property in times of conflict has become a key issue for debate around the world. This [...]
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This manual is a comprehensive illustrated overview of the minerals and textures seen in polarized light microscopy of cultural artefacts.
It focuses on the specific applications [...]
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. [...]
ver másThe ninth triennial meeting of the International Committee for the Conservation of Mosaics (ICCM), organized by the Getty Conservation Institute and the Institut National du [...]
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Depuis sa création la galerie des Glaces n'avait jamais fait l'objet d'une restauration globale ni d'un ouvrage qui lui soit entièrement consacré.
Edifiée par Jules Hardouin-Mansart [...]
An important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed [...]
ver másIn 1820 less than a handful of museums existed on the British Isles, and both their form and function were far from what a visitor [...]
ver másWilliam Randolph Hearst (1863–1951) was one of the most famous men in America in the first half of the twentieth century. His life as a [...]
ver másJohn Cotton Dana (1856-1929) should be a household name. He started out as a reform-minded librarian intent on making libraries into engines of education, hence [...]
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In this book, the world’s most exciting new museums are shown to be as inspiring as the works they display.
The twenty-first century has seen a [...]
Il mito del Museo Universale, di un luogo dove le culture e le arti fossero testimoniate e conservate per le generazioni future, nato dalla tradizione [...]
ver másThe faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, [...]
ver másThe Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, [...]
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