
Última actualización: 06/09/2010
This is the first volume in a new series focused on the technical study of museum objects through the collaborative efforts of conservators, research scientists, and curators. Written for a professional audience, the publication underscores the importance of a thorough understanding of the context, materials, and technical nature of works of art. This volume includes a history of early objects conservation practices in The Metropolitan Museum of Art; an exploration of the use of lapis lazuli and azurite as pigments in ancient Egypt; two related investigations into the casting methods and materials of early Chinese bronze Buddha sculptures; a compositional study of medieval Islamic enameled glass; an analysis of the polychrome decoration on four French Romanesque sculptures; and an evaluation of several paintings by Paolo Veronese, addressing a longstanding debate over whether they originated as a group.
Plastic objects are included more than ever in museums and galleries collections these days, but these items can start to deteriorate when they a just [...]
ver másThe Manual of Housekeeping is essential reading for all those involved in the care of historic houses and their collections. Building on the success of [...]
ver másDiscussion of the issues surrounding the destruction of cultural property in times of conflict has become a key issue for debate around the world. This [...]
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This manual is a comprehensive illustrated overview of the minerals and textures seen in polarized light microscopy of cultural artefacts.
It focuses on the specific applications [...]
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. [...]
ver másThe ninth triennial meeting of the International Committee for the Conservation of Mosaics (ICCM), organized by the Getty Conservation Institute and the Institut National du [...]
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Depuis sa création la galerie des Glaces n'avait jamais fait l'objet d'une restauration globale ni d'un ouvrage qui lui soit entièrement consacré.
Edifiée par Jules Hardouin-Mansart [...]
An important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed [...]
ver másIn 1820 less than a handful of museums existed on the British Isles, and both their form and function were far from what a visitor [...]
ver másWilliam Randolph Hearst (1863–1951) was one of the most famous men in America in the first half of the twentieth century. His life as a [...]
ver másJohn Cotton Dana (1856-1929) should be a household name. He started out as a reform-minded librarian intent on making libraries into engines of education, hence [...]
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In this book, the world’s most exciting new museums are shown to be as inspiring as the works they display.
The twenty-first century has seen a [...]
Il mito del Museo Universale, di un luogo dove le culture e le arti fossero testimoniate e conservate per le generazioni future, nato dalla tradizione [...]
ver másThe faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, [...]
ver másThe Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, [...]
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